TEHRAN, Iran – The Fajr International Theater Festival, now in its 43rd rendition, wrapped up festivities at Tehran’s Vahdat Hall this Saturday, spotlighting top theatrical talent across a range of categories. The grand event drew several high-ranking officials and a host of artistic talents, marking yet another dynamic assembly of Iran’s rich cultural showcase.
This year’s festival was graced by the presence of notable government officials including Seyyed Abbas Salehi, the Minister of Culture and Islamic Guidance, and Zahra Behrouz-Azar, the Vice President for Women and Family Affairs, among others. The festival was widely covered for its robust competition in both stage and street theater categories.
In the stage theater competition, “Malek Mohammad,” a drama co-directed by Sahand and Babak Qeisari of Tabriz, was honored with the special jury award. Reflecting on the other winners, Mojtaba Rostamifar clinched the best director award for his play “Laam,” and Ebrahim Adelnia was recognized as the best playwright for his work “Hunting Customs of Foxes.”
The street theater section saw its fair share of accolades, with “Confessions of a Criminal,” co-directed by Mehdi Habibi and Mostafa Kolivandi, taking home the special jury prize. Another highlight was Saeid Badini, who scooped both the best director and best playwright awards for his creation “Anatomy of a Letter.”
In a poignant homage to the late General Qassem Soleimani, the festival introduced the Soldier of the Homeland emblem. This honorary award was bestowed upon actress and director Vida Mousavi, playwright Reza Goshtasb, and Alii Peyman, who excels as a writer, director, and actor.
The international outreach of the festival was notable, with submissions from 46 countries including but not limited to Russia, Norway, Sweden, Canada, and various African nations. Although this segment was non-competitive, it underlined the festival’s global appeal and Iran’s expanding cultural diplomacy.
A special dedication was made to the oppressed people of Gaza, highlighting the festival’s commitment to shedding light on global humanitarian issues through the medium of theater.
This edition’s award ceremony and closing moments were charged with emotions and celebrations of artistic triumphs, providing both local and international attendees a glimpse into the vibrancy and depth of Iranian theater.
Concluding on a high note, the festival not only celebrated established theatrical practices but also opened dialogues on contemporary global issues, reinforcing the festival’s role as a significant cultural gateway.
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