VESOUL, France — South Korean filmmaker Park Ri-woong’s feature “The Land of Morning Calm” claimed the prestigious Golden Cyclo Award at the Vesoul International Film Festival of Asian Cinema, highlighting its deep and impactful exploration of the complexities of human reality. Under the leadership of renowned Chinese director Jia Zhang-ke, the head of the jury, the film was lauded for its compelling narrative that is akin to an immersive plunge from tranquility into the turbulent depths of life.
During the festival, which took place from February 11-18, an array of exceptional films from across Asia were recognized for their artistic contributions and unique storytelling perspectives. Kazakh director Elzat Eskendir earned the Grand Jury Award for his film “Abel,” which also garnered the Netpac Award and the Film Critics’ Award. The jury celebrated Eskendir’s authentic portrayal of the socio-economic struggles in post-Soviet Kazakhstan, effectively capturing the poignant realities faced by shepherds transitioning from collective to individual livelihoods.
The Jury Prize was awarded to Kyrgyz filmmaker Dastan Zhapar Ryskeldi for “Deal at the Border”. The film was noted for its skillful interweaving of survival instincts and ethical dilemmas, positioning its protagonist as a contemporary hero within Kyrgyz society. Additionally, “Deal at the Border” received the Marc Haaz Award and the Friends of the Guimet Museum Award, which praised its nuanced depiction of its central character’s transformative journey.
Among other acknowledgments, Jiang Xiaoxuan’s “To Kill a Mongolian Horse” from China received special mention for its poignant exploration of cultural erosion. The film examines the life of a Mongolian herder, confronting the loss of his identity amid the shifting cultural landscape that turns traditions into commercial spectacles.
In addition to film awards, the festival also honored individual achievements in cinema with the honorary Golden Cyclo awards being presented to Jia Zhang-ke and actress Zhao Tao for their enduring contributions to the cinematic arts.
Audiences also played a crucial role in celebrating cinematic works, with the Audience Award for Fiction Films going to Nader Saeivar’s “The Witness” from Iran. The documentary category saw “My Dearest Viet” by Kawabata Kohei (Japan, Vietnam) take home the Audience Award, while Jaime Pacena II’s “Kono Basho” from the Philippines won the High School Award. Additionally, the Young Award was bestowed upon “Bittersweet Honey” from Myanmar, recognizing its appeal and impact among younger viewers.
The next edition of the Vesoul International Film Festival of Asian Cinema is scheduled to run from January 26 through February 3, 2026, promising another showcase of rich narratives and artistic talent from across Asia.
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