Karlovy Vary, Czech Republic — Iranian filmmaker Soheil Beiraghi faced significant legal challenges for his latest film, Bidad, also known as Outcry, which recently earned the Special Jury Award at the 59th Karlovy Vary International Film Festival, celebrated as one of Central Europe’s major cinematic events.
The film tells the story of a young girl who defies Iran’s strict laws by singing in public, activities that have been banned since the 1979 revolution. It further challenges societal norms, particularly through its portrayal of women who do not wear the mandated hijab, making a bold statement against the country’s stringent dress codes.
Amidst the politically sensitive themes of the film, Beiraghi opted for an independent production to sidestep censorship. Despite these efforts, he revealed that both he and several colleagues from the Bidad team received sentences in Iran, which included prison time and fines. Initially sentenced to four years and three months in prison, Beiraghi’s penalty was later commuted to a financial fine.
The volatile nature of the film’s subject prompted festival organizers to withhold the announcement of its screening until just before the event, ensuring the safety of those involved amid fears of potential repercussions for advancing narratives critical of the Iranian government.
During his acceptance speech for the award, Beiraghi expressed gratitude to the women of Iran, stating they "deserve appreciation, respect, and a standing ovation," emphasizing their resilience and strength. In a subsequent interview, he reaffirmed his intention to return to Iran, despite the recent court ruling against him.
Beiraghi described his decision to delve into the realm of women’s narratives not as a strategic choice but as an inherent inspiration stemming from strong figures in his life. “We’re living in an era of powerful women,” he remarked, highlighting the challenges women face in the country while also underscoring the courage of female artists who have used social media to amplify their voices against the restrictions on solo vocal performances and hijab enforcement.
Since the prohibition on public solo singing for women was implemented decades ago, many female artists have found innovative ways to express themselves, challenging the cultural barriers imposed by the Iranian regime. Beiraghi’s work not only reflects these struggles but also stands as a testament to the enduring spirit of expression and creativity in the face of adversity.
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