Kontinental ’25’: An iPhone-Shot Film Grabs Silver Bear for Best Screenplay at Star-Studded Festival

Cluj-Napoca, Romania — At the heart of a sweeping array of international cinema accolades, the film “Kontinental ’25,” mastered on an iPhone 15, encapsulates the ethical tumult of a bailiff in Romania after he forcibly removes a homeless man from a cellar. This narrative, which secured a Silver Bear for Best Screenplay, is among many highlights illuminating the diverse talents and compelling storytelling showcased at the international film event.

The film participates as a multinational endeavor, boasting collaborations from Romania, Brazil, Switzerland, the UK, and Luxembourg. It is celebrated not only for its innovative production techniques but also for its acute exploration of moral dilemmas faced by ordinary individuals.

Another noteworthy winner from the festival was “Dreams (Sex Love)” from Norway, directed by Dag Johan Haugerud, securing the prestigious Golden Bear for Best Film. This accolade recognizes outstanding contributions to cinema, both in artistry and narrative achievement.

From Hungary, “Wish You Were Ear,” an animated creation by Mirjana Balogh, won the Crystal Bear for the Best Short Film as decreed by the Youth Jury in the Generation 14plus section. Its blend of animation and profound narrative resonated powerfully with the audience.

The Belgian-French short film “Autokar,” directed by the Polish-born Sylwia Szkiłądź, was awarded The Grand Prix of the International Jury in the Generation Kplus competition. It proved a significant recognition for short films that make substantive impacts through concise storytelling.

Director Yuri Semashko from Lithuania fetched the Tagesspiegel Readers’ Jury Award for “The Swan Song of Fedor Ozerov,” symbolizing the cultural and cinematic linkages between Lithuania and Belarus.

The festival not only serves as a platform for seasoned filmmakers but also paves the way for emerging talents. In the Perspectives section, the Best First Feature Award was clinched by “The Devil Smokes (and Saves the Burnt Matches in the Same Box)” from Mexico, directed by Ernesto Martínez Bucio, demonstrating the importance of encouraging new voices in cinema.

During the event, various international juries conferred a multitude of awards, recognizing various aspects of filmmaking, from lead performances to artistic contributions. Among them, Rose Byrne and Andrew Scott were awarded Silver Bears for their roles in American films, under the categories of Best Leading and Supporting Performance, respectively.

Lucile Hadžihalilović’s “The Ice Tower” was recognized for its outstanding artistic contribution, a testament to the vibrant collaboration between France, Germany, and Italy in producing visually stunning and thematically profound cinema.

The festival’s embrace of diversity also reflected in the documentary category where Brandon Kramer’s “Holding Liat” from the USA received a special mention, underscoring the festival’s appreciation for documentaries that delve into complex, real-world issues.

This array of awards exemplifies the global tapestry of stories and talents showcased at the festival, emphasizing not only the artistic merit of the winning films but also their capacity to engage on social, emotional, and aesthetic levels. Each accolade speaks to the vibrant future of international cinema that reverberates with diverse voices and narratives.

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