“Moloka’i Bound” Shines with Dual Wins at 44th Hawaii International Film Festival, Highlighting Indigenous Talent and Local Narratives[embed]https://www.youtube.com/watch?v=R0mRPMX-WCc[/embed]

Honolulu, Hawaii – The stunning backdrop of Oahu set the stage for the 44th annual Hawai‘i International Film Festival (HIFF) held from October 3-13 at Consolidated Theatres Kāhala. The festival spotlighted a mix of local and international films, closing with a private awards gala at the illustrious Halekūlani Hotel on October 12. The winners of the festival’s juried awards were announced during the gala, signaling a successful competition especially for films made in Hawai‘i.

A highlight of this year’s festival was the impressive showing of Hawai‘i films. Local filmmakers particularly shone brightly, taking home a number of significant awards. Among the standout winners was “Moloka‘i Bound,” directed by Alika Tengan. It clinched the Kau Ka Hōkū Award, bestowed on first- or second-time international feature filmmakers. This honor marks “Moloka‘i Bound” as the first local feature to receive this accolade since its introduction in 2018.

In a double win, “Moloka‘i Bound” also received the Made in Hawai‘i – Best Narrative Feature award, a distinction split with another feature to acknowledge the breadth of talent across various categories. The film portrays the poignant story of Kainoa’s endeavor to reconnect with his son after his release from prison, extending the narrative from Tengan’s prior short film.

Additionally, “Standing Above the Clouds” directed by Jalena Keane-Lee, grabbed the Made in Hawai‘i – Best Documentary Feature. This film delves into the activism spearheaded by Pua Case, her daughters, and their fight to protect Maunakea, impressing the jury with its compelling portrayal of resilience.

“The Queen’s Flowers,” a fantastical animation by Emmy-nominated filmmaker Ciara Lacy, was distinguished as the Made in Hawai‘i – Best Short Film. This victory qualifies the film for Oscar consideration, showcasing a young girl’s unique relationship with Queen Lili‘uokalani through gifted leis.

Other notable awards included the NETPAC Award for “Sister Midnight,” a unique comedy/horror film by Karan Kandahari, which examined the life of an Indian woman navigating an arranged marriage. This film was praised for its innovative approach and vibrant storytelling.

The Pasifika Award – Best Feature Film went to “We Were Dangerous” directed by Josephine Stewart-Te Whiu. This feature, which clinched a special jury award at SXSW 2024, narrates the rebellion of three girls against their reform school in New Zealand.

Student filmmakers were also recognized, with the BMW Driven Student Award going to “Stitches,” directed by University of Hawai‘i at Mānoa student Alexander Clearly. This accolade highlights the quality of student-produced content and encourages their further development in the film industry.

Alongside these winners, the HIFF also paid homage to significant contributors to the film and television industry. The Halekūlani Vision in Film Award was presented to Stanley Nelson, while Justin Marks and Rachel Kondo received the Halekūlani Career Achievement Award for their work on “Shōgun”.

These recognitions not only highlight the growing influence and quality of film production in the Pacific but also underscore HIFF’s role in celebrating and propelling the careers of filmmakers locally and globally. As the festivities concluded, attendees and participants from around the world looked forward to the opportunities that next year’s festival might bring to forefront contemporary cinematic visions.

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