Fleetwood Mac Album Co-Producer Settles Lawsuit Over Tony-Winning Play ‘Stereophonic’

New York — Ken Caillat, the renowned producer behind Fleetwood Mac’s iconic 1977 album “Rumours,” has recently concluded a legal dispute with the creators of the Tony Award-winning Broadway play “Stereophonic.” The lawsuit, initiated by Caillat in October, alleged unauthorized use of content from his 2013 book, which details the making of the album, within the play.

“Stereophonic,” which garnered five Tony Awards including Best Play after its debut in April, is said to have drawn significantly from “Making Rumours: The Inside Story Of The Classic Fleetwood Mac Album,” written by Caillat and co-author Steven Stiefel. The producers claimed that the play replicated “the heart and soul” of their book, producing a substantially similar work without their permission.

The contention focused on allegations that “Stereophonic” included direct dialogue and narrative elements from Caillat’s book, a detailed account of the behind-the-scenes drama during the making of “Rumours.” The legal documents, filed in the U.S. District Court in New York, brought both parties to the negotiation table, seeking to resolve the matter amicably.

As stated in recent filings, an adjournment of a scheduled conference was requested by both parties, signaling a tentative resolution. They anticipate formalizing the settlement agreement by the end of the year, although specific terms and details of the settlement have not yet been disclosed publicly.

Prior to the lawsuit, in an interview with The New Yorker, Caillat, who is also the father of singer Colbie Caillat, expressed his concerns about the similarities he perceived between his biographical book and the play, particularly pointing out verbatim excerpts from his narrative appearing in the script.

“Stereophonic” has seen considerable success on Broadway, with an original closure date in July being extended repeatedly due to popular demand. The play is now scheduled to conclude its run on January 12.

The case underscores ongoing issues of intellectual property rights and the fine line between inspiration and infringement in artistic works, particularly in the collaborative and referential world of theater and music production.

Legal experts suggest that such disputes may prompt artists and creators to seek clearer guidelines and protections for literary and artistic works, especially when adapted for different media. The settlement could potentially set a precedent for how similar cases are handled in the future, emphasizing the importance of clear agreements and respecting copyright laws.

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