Melbourne, Australia — The Melbourne International Film Festival (MIFF) crowned its Bright Horizons winner at the annual awards ceremony, recognizing Simón Mesa Soto’s film, A Poet, as the standout contribution of the year. The story revolves around Oscar Restrepo, portrayed by Ubeimar Rios, an aging poet whose erratic lifestyle leads him to form a meaningful connection with a gifted young woman named Rebeca Andrade. This mentorship evolves into a poignant exploration of creativity and danger.
A Poet, which previously garnered the Un Certain Regard Jury Prize at this year’s Cannes Film Festival, is Soto’s second feature after his debut film Amparo in 2021. The film’s unique narrative blend of character study and social commentary prompted the Bright Horizons jury to highlight Soto as a compelling voice in contemporary Latin American cinema. The jury, including members such as Charlotte Wells and Alex Ross Perry, awarded him $140,000 for his creative achievement.
Describing A Poet, the jury noted its tragicomic nature, portraying Oscar as a mentor caught in the tension between aspiration and self-destruction. The film stands out for its brisk pace, straightforward 16mm cinematography, and authentic performances from predominantly rookie actors, complemented by a simple yet evocative jazz-inspired score.
In addition to the Bright Horizons Award, James J. Robinson, an Australian-Filipino director, received the Blackmagic Design Best Australian Director Award for his debut feature, First Light. This film, shot in the Philippines, features Ruby Ruiz in a compelling performance as an elderly nun confronting ethical dilemmas within her institution after a construction worker’s death. The jury praised First Light as a reflective examination of faith, moral awakening, and institutional corruption.
Robinson expressed gratitude for being nominated alongside other noteworthy films, highlighting his respect for the range of cinematic works showcased. He also noted the significance of First Light as the first Australia-Philippines co-production to feature at MIFF, marking a milestone in cross-cultural filmmaking.
Recognition also extended to the short film The Fix-It-Man and The Fix-It-Wooman, which earned the second Uncle Jack Charles Award for its art direction by Yarrenyty Arltere Artists. The jury lauded the film’s collaborative spirit, innovation, and storytelling rooted in community experiences.
Other awards included the Intrepid Audience Award, which went to Careless, directed by Sue Thomson, focusing on the struggles faced by the elderly. Meanwhile, the MIFF Schools Youth Jury Award was given to Greetings From Mars, directed by Sarah Winkenstette.
As the 73rd MIFF approaches its end, artistic director Al Cossar reflected on the festival’s vibrant atmosphere, noting the excitement generated by sold-out screenings and the participation of filmmakers from around the globe. He characterized the event as a grand celebration of cinema, contributing to Melbourne’s rich cultural tapestry.
This year’s MIFF awards closes a week filled with cinematic exploration, paving the way for future creative endeavors within the filmmaking community.
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