Trieste, Italy – The Trieste Science+Fiction Festival, a notable event in the realm of sci-fi and fantastical cinema, is set to captivate audiences with its closing film, “El Conde” (The Count), a satirical take on the life of Vlad the Impaler, diverging into dark comedy. This year’s edition, which showcases a diverse range of genre films, will mark its conclusion with this provocative feature directed by Spanish filmmaker Pablo Aragüés.
Each year, the festival garners attention for its lineup, and 2023 is no exception as it promises to be an integration of innovation and homage to classic elements of science fiction and fantasy genres. The selection of “El Conde” is particularly notable for blending historical narrative with surreal humor, presenting a fresh take on the notorious figure often associated with the Dracula legend.
The jury for this year’s festival includes an intriguing mix of film industry professionals, ensuring a broad perspective in the evaluation process. Among them is UK-based film critic Kim Newman, known for his keen insights into horror and fantasy genres. His expertise will be complemented by Italian director Sara Serraiocco, whose work has been influential in contemporary Italian cinema. The panel is chaired by American comic book writer Brandon Thomas, renowned for his creative narratives in the comic world.
In addition to the much-anticipated closing film and the distinguished jury, the festival has also been a platform for technological advancements in filmmaking. This year, discussions and workshops focus on virtual reality (VR), augmented reality (AR), and the use of artificial intelligence in film production, reflecting the festival’s commitment to staying at the forefront of technology and creativity.
With its inception in the early 1960s, the Trieste Science+Fiction Festival has significantly evolved, but its core mission remains the same: to explore and celebrate the boundaries of imagination through cinematic expressions. This focus has made it a pivotal fixture on the international film festival circuit, attracting enthusiasts of science fiction, fantasy, and horror from around the globe.
As film buffs and cultural commentators look forward to the outcomes of this year’s festival, insights gleaned from panel discussions, as well as feedback from screenings, will likely influence genre filmmaking and potentially reshape audience expectations in the years to come.
The festivity’s choice to emphasize emerging technologies alongside film showcases its broader vision to merge artistic and technological vistas. As the closing night approaches, all eyes will be on “El Conde” and its reception could set a precedent for future narrative experiments in genre blending at the festival.
As the final credits roll on this edition of the Trieste Science+Fiction Festival, attendees and virtual participants alike will carry forward conversations about the future of genre cinema, informed by a rich history of storytelling and technological advancement presented throughout this iconic event.
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